Slavery, Narratives
In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine's award-winning "1619 Project" issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation's founding and construction--and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Contributors: Nikole Hannah-Jones, Dorothy Roberts, Khalil Gibran Muhammad, Leslie Alexander, Michelle Alexander, Jamelle Bouie, Martha S. Jones, Carol Anderson, Ryan Stevenson, Trymaine Lee, Linda Villarosa, Anthea Butler, Wesley Morris, Jeneen Interlandi, Kevin M. Kruses, Ibram X. Kendi. Created by Nikole Hannah-Jones. Publisher: One World. Hardcover, 590 pages. Measures 6.25" x 9.5". Weighs: 1 lb. 15.8 oz.
Christopher Award-winning author Jerdine Nolen imagines a young woman's journey from slavery to freedom in this intimate and powerful novel that was named an ALA/YALSA Best Fiction for Young Adults nominee. It is 1854 in Alexandria, Virginia. Eliza's mother has been sold away and Eliza is left as a slave on a Virginia farm. It is Abbey, the cook, who looks after Eliza, when she isn't taking care of the Mistress. Eliza has only the quilt her mother left her and the stories her mother told to keep her mother's memory close. When the Mistress's health begins to fail and Eliza overhears the Master talk of the Slave sale auction and of Eliza being traded, she takes to the night. She follows the path and the words of the farmhand Old Joe: "Travel the night. Sleep the day...Go east. Keep your back to the setting of the sun. Come to the safe house with a candlelight in the window...That gal, Harriet, she'll take you." All the while, Eliza recites the stories her mother taught her as she travels along her freedom road from Mary's Land to Pennsylvania to Freedom's Gate in St. Catharines, Canada, where she finds not only her freedom but also more than she could have hoped for.
Unlike any other book on the market today, this richly illustrated companion volume uses the remarkable artifacts, images, and documents of the United States National Slavery Museum to trace the entire history of slavery in North America, from the societies of ancient Africa to the repercussions still faced by Americans today--and to celebrate the perseverance and ultimate triumph of a people. Freedom in My Heart goes beyond the textbooks to call forth the unique voices, personal stories, and cultural contributions of slaves and their descendants, demonstrating how enslaved African Americans remained free at heart to develop a vibrant culture in the face of unspeakable inhumanity. Following a foreword by L. Douglas Wilder, the grandson of former slaves and the first African-American elected governor of a U.S. state, ten compelling chapters offer the often unheard testimony of those who witnessed slavery and those whose ancestors endured it. Their voices blend with the contributions of such luminaries as South African leader Nelson Mandela, Liberian President Ellen Johnson Sirleaf, noted journalist Juan Williams, entertainers Bill Cosby and Ben Vereen, and many more. This partnership with the National Slavery Museum grants exclusive access to never-before-seen images, personal letters, and artifacts, which shed new light on slavery and the activities surrounding it. As the museum nears its opening, numerous press events and online features will publicize the book, giving unprecedented exposure at a time of great anticipation and interest. Edited by Cynthia Jacobs Carter. Foreword by L. Douglas Wilder. Publisher: National Geographic. Hardcover, 255 pages. Measures 9.5" x 11". Weighs: 2 lb. 13.4 oz.
When Sheldon Russell Curtis told this story to his daughter, Rosa, she kept every word in her heart and was to retell it many times. I will tell it in Sheldon's own words as nearly as I can. He was wounded in a fierce battle and left for dead in a pasture somewhere in Georgia when Pinkus found him. Pinkus' skin was the color of polished mahogany, and he was flying Union colors like the wounded boy, and he picked him up out of the field and brought him to where the black soldier's mother, Moe Moe Bay, lived. She had soft, gentle hands and cared for him and her Pink. But the two boys were putting her in danger, two Union soldiers in Confederate territory! They had to get back to their outfits. Scared and uncertain, the boys were faced with a hard decision, and then marauding Confederate troops rode in. In this Civil War story passed from great-grandfather to grandmother, to son, and finally to the author-artist herself, Patricia Polacco once again celebrates the shared humanity of the peoples of this world. Author: Patricia Polacco. Publisher: Philomel Books. Hardcover, 48 pages. Measures: 8.75" x 11.25". Weighs: 15.7 oz.
Taut free verse tells the little-known story of the first contraband camp of the Civil War--seen by some historians as the "beginning of the end of slavery in America." One night in 1861, three escaped slaves made their way from the Confederate line to a Union-held fort. The runaways were declared "contraband of war" and granted protection. As word spread, thousands of runaway slaves poured into the fort, seeking their freedom. These "contrabands" made a home for themselves, building the first African American community in the country. In 1863, they bore witness to one of the first readings of the Emancipation Proclamation in the South--beneath the sheltering branches of the tree now known as Emancipation Oak. Author: Susan VanHecke. Illustrator: London Ladd. Publisher: Charlesbridge. Hardcover, 32 pages. Measures: 9" x 11.25". Weighs: 15 oz.