African American History
In The Sage of Tawawa, Annetta L. Gomez-Jefferson offers Ransom as a symbol of an era and a larger movement and recalls him to be a man of deep faith and conviction. Educated at Wilberforce University in Ohio (after losing his scholarship from Oberlin College for protesting the segregation of the campus dining halls), Reverdy Cassius Ransom worked with and for the African Methodist Episcopal Church. His duties saw him run for Congress, be elected bishop of the African Methodist Episcopal Church, serve as editor of the A.M.E. Church Review, and serve as church historiographer. In July 1941, Ransom received a letter from President Roosevelt appointing him to the Volunteer Participation Committee in the Office of Civilian Defense.
It is impossible to understand America without understanding the history of African Americans. In nearly seven hundred entries, the Encyclopedia of African American History, 1619-1895 documents the full range of the African American experience during that period - from the arrival of the first
slave ship to the death of Frederick Douglass - and shows how all aspects of American culture, history, and national identity have been profoundly influenced by the experience of African Americans. The Encyclopedia covers an extraordinary range of subjects. Major topics such as Abolitionism, Black Nationalism, the Civil War, the Dred Scott case, Reconstruction, Slave Rebellions and Insurrections, the Underground Railroad, and Voting Rights are given the in-depth treatment one
would expect. But the encyclopedia also contains hundreds of fascinating entries on less obvious subjects, such as the African Grove Theatre, Black Seafarers, Buffalo Soldiers, the Catholic Church and African Americans, Cemeteries and Burials, Gender, Midwifery, New York African Free
Schools, Oratory and Verbal Arts, Religion and Slavery, the Secret Six, and much more. In addition, the Encyclopedia offers brief biographies of important African Americans - as well as white Americans who have played a significant role in African American history - from Crispus Attucks, John
Brown, and Henry Ward Beecher to Olaudah Equiano, Frederick Douglass, Sarah Grimké, Sojourner Truth, Nat Turner, Phillis Wheatley, and many others. All of the Encyclopedia's alphabetically arranged entries are accessibly written and free of jargon and technical terms. To facilitate ease of use, many composite entries gather similar topics under one headword. The entry for Slave Narratives, for example, includes three subentries: The Slave
Narrative in America from the Colonial Period to the Civil War, Interpreting Slave Narratives, and African and British Slave Narratives. A headnote detailing the various subentries introduces each composite entry. Selective bibliographies and cross-references appear at the end of each article to
direct readers to related articles within the Encyclopedia and to primary sources and scholarly works beyond it. A topical outline, chronology of major events, nearly 300 black and white illustrations, and comprehensive index further enhance the work's usefulness.
slave ship to the death of Frederick Douglass - and shows how all aspects of American culture, history, and national identity have been profoundly influenced by the experience of African Americans. The Encyclopedia covers an extraordinary range of subjects. Major topics such as Abolitionism, Black Nationalism, the Civil War, the Dred Scott case, Reconstruction, Slave Rebellions and Insurrections, the Underground Railroad, and Voting Rights are given the in-depth treatment one
would expect. But the encyclopedia also contains hundreds of fascinating entries on less obvious subjects, such as the African Grove Theatre, Black Seafarers, Buffalo Soldiers, the Catholic Church and African Americans, Cemeteries and Burials, Gender, Midwifery, New York African Free
Schools, Oratory and Verbal Arts, Religion and Slavery, the Secret Six, and much more. In addition, the Encyclopedia offers brief biographies of important African Americans - as well as white Americans who have played a significant role in African American history - from Crispus Attucks, John
Brown, and Henry Ward Beecher to Olaudah Equiano, Frederick Douglass, Sarah Grimké, Sojourner Truth, Nat Turner, Phillis Wheatley, and many others. All of the Encyclopedia's alphabetically arranged entries are accessibly written and free of jargon and technical terms. To facilitate ease of use, many composite entries gather similar topics under one headword. The entry for Slave Narratives, for example, includes three subentries: The Slave
Narrative in America from the Colonial Period to the Civil War, Interpreting Slave Narratives, and African and British Slave Narratives. A headnote detailing the various subentries introduces each composite entry. Selective bibliographies and cross-references appear at the end of each article to
direct readers to related articles within the Encyclopedia and to primary sources and scholarly works beyond it. A topical outline, chronology of major events, nearly 300 black and white illustrations, and comprehensive index further enhance the work's usefulness.
Co-founder of the Niagara Movement (the first civil rights movement of the twentieth century) at Harpers Ferry, Freeman Henry Morris Murray was an African American activist for civil rights who risked his life and the lives of others to fight for what he knew would lead to the advancement of his people. He was a successful and knowledgeable man and this biography details his many talents based on years of research and family interviews. Paperback, 288 pages.
When John Brown came to Harpers Ferry in 1859, organizing a school for enslaved African Americans was illegal. Eight years later, after a bloody Civil War, Storer College did just that—and more. To honor the 150th anniversary of the school’s founding, Harpers Ferry Park Association, in partnership with Harpers Ferry National Historical Park, invited park rangers, professors, journalists, and scholars to tell the stories of the teachers, students, and reformers who strove to manifest a new world on the “hill of hope.” This collection reveals tales of courage and conviction, success and defeat, controversy and, above all, hope. Paperback, 176 pages.
Today all children are required to attend school, but there was a time when all Americans did not enjoy the right to an education and the chance to improve their situation in life. In the nineteenth century, it was against the law in some areas of the United States to teach African Americans. The laws were rooted in the slave system of the South. In this book, we trace the history of African American education before and after the Civil War, from secret schools to well-established universities.
John Brown is an endlessly fascinating historical figure. Here are two classic studies by a pioneer in African American studies, one about the place of John Brown in African American history, the other about the reasons for the unique esteem in which he has been held by successive generations of blacks.This two-in-one edition features a new introduction by William S. McFeely, author of the Pulitzer Prize-winning Grant: A Biography.
Through narration and re-enactment this film traces Washington, a prominent African American, and the founding of Tuskegee Institute which was established to educated newly freed people after the Civil War. It recreates vignettes and interviews with contemporaries including W.E.B. Du Bois.Running time: 31 minutes. Bonus films on this DVD include Longing to Learn: Booker T. Washington's Story, Frederick Douglas: An American Life, and The Maggie Lena Walker Story.
For the past ten years, Birch has been documenting the African American culture of his native New Orleans in large-scale sculpture and drawings that emphasise body language, dress codes, and everyday rituals. His guileless polychrome sculptures evoke both social history and emotion. His use of talismans give the viewer a window to another time, be it through old construction nails symbolising power and strength to a small West African paper mach, stool that stands apart as a symbol of nobility. Dedicated to the children of New Orleans, this is the first publication to examine Birch's career whose re-imagining of African and Southern folk art inspires thought provoking discussions as well as contemporary sculpture and design. It includes two essays and an interview with the artist, as well as colour reproductions of key works dating from 1968-2004.